Topology of the Encounter — inkjet print on bond, 2017
000-x63 Sexual deviation. (320.6) — lacrimal solution (false tears formulated by the artist) spilled
All the way to Latvia snow fell from his lips. (bell to mark the war) —
hammered copper bell permanently installed inside the gallery wall with the stipulation that it not be removed unless or until the building is demolished.
the despair objects (for Robert)
padlocks dissolving in urine, Salzburger Kunstverein, Salzburg
installation view of
The stars are a mnemonic without object./Let the forgetting
begin.
at Murmurs, LA
she bathed a trumpet in milk—Eduardo C. Corral — milk, silver trumpet
stripped of the parts which make it playable,
plexiglass vitrine 30 x 17 x 17
16 Deaths for Edivaldo Silva de Oliveira and Jeovan Bandeira whose
burnt bodies were found in their car on the tenth of June, 2006
— metal plinth, plexiglass vitrine, velvet cloth, metronomes set to
Grave, Largo, Lento, Larghetto, Adagio, Adagietto, Andante, Andantino,
Maestoso, Moderato, Allegretto, Animato, Allegro, Vivace, Presto, and
Prestissimo. The metronomes are wound once a day at the
gallery’s discretion, 75.5 x 55 x 18.5
from
sentience of music (duet)
Let the forgetting begin. —
brass clock movement mechanism slowly dissolving in lacrimal solution (false tears formulated by the artist), plexiglass vitrine. 15 x 15 x 15
viscera of a butterfly selected pages from the collection of the artist,
framed, 41 x 33 x
1.5
staging the organism:processor (atoms are not atoms)(higher tensile
strength than steel)(the bone which allowed us to exit the oceans)(a story for every bone in the body)
— assorted mammalian bones and bone tools, tumeric, cadmium yellow
pigment, found shells and vegetal pods, dimensions variable
installation view of
The stars are a mnemonic without object./Let the forgetting
begin.
at Murmurs, LA
installation view of
Nails for the Hammering of Vetch at Pina,
Vienna — various materials in paired piles representing the average weight of the human heart and brain
installation view of
The stars are a mnemonic without object./Let the forgetting
begin.
at Murmurs, LA
view of
on a few points of principle/
Item sabots/
blouse—/
I work in the dye-house/
myself
— aluminum plaque, wooden stage, collected wooden sabot (Belgian, Dutch, American, Spanish), collected bowls (Pre
Columbian, 12th century Cambodian, modern Tibetan, Civil War Era American, 19th century Turkish, & originals by
the
artist), collected machine components, lacrimal solution (false tears formulated by the artist), 144
x
96 x 8
Linklines at Jupiter/Saturn conjunctions, beginning c. 5 April 4950 BC, 750
times,
period 14,893.9 years selected pages from the collection of the artist, framed, 41 x 33 x
1.5
detail of
as the organism decays and the bones are no longer held together by the
flesh
— Stradivarius Violin, likely fake, (C. 1726), burned until broken
from
sentience of music (duet)
an unslipping knot, gender —
oxford men’s shoes dissolving in gastric solution (HCL solution made to
mimic the composition of stomach acid), plexiglass vitrine, 15 x 15 x
15
when mineral rich groundwater permeates organic materials and fills the
empty spaces, a fossil is formed
Oscar Schmidt Menzenhaurer Autoharp burned until broken, dimensions variable
pattern produced by a spoken vowel, selected pages from the collection of
the artist, framed, 41 x 33 x 1.5
separation of pieces of an organism caused by natural events (i.e.
floods, scavengers etc.)
Antique bowl back mandolin burned until broken, inkjet print on
photorag, dimensions variable
